On "Crash"So I saw Crash the other day with Christianne. Dope dope movie, although I feel the Asian characters got slighted a bit. Can't wait to see the Director's Cut (hopefully there is one), because I'm sure Daniel Dae Kim's story is on the cutting room floor somewhere. Dude was in the film for like two seconds.
I was posting about the film on
Okayplayer, and I found myself feeling very inarticulate. The opportunity to debate on several of the movie's issues arose, and I backed out of all of them. The Okayplayer cats are too smart for me, and I hadn't thought things through enough.
Anyways, I eventually came up with this post:
*SPOLIER ALERT*
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"My take on the film's "solution""
In response to Reply # 0
"A lot of cats I talk to bring up the point that the film offers no solution to the problems it presents.
I don't necessarily agree with this. I felt a solution was definitely, strongly, implied. It is not directly *shown*, because to have a character embody or vocalize this solution it would make the film favour that character's race over the others. That would be counter-productive. In order for the solution to be proposed, it actually *can't* be shown, at least not totally.
First, I think a lot of what the film does is take other "solutions" and break down why they are problematic. Take Ryan Phillipe, for example. He represents the solution of "colour blindness". His character is very noble in this, but his card gets pulled by his black boss, who points out that he switches being partners with Matt Dillon more to not be associated with Matt Dillon than to actually solve the problem (i.e., Phillipe is in the clear, but Dillon is still on the streets). This to me in the main problem with being "colour blind". It washes your hand of the problem while allowing the problem to still exist. You deign yourself "above" all that.
This is furthered in the car scene with Larenz Tate, where people who claim to be "colour-blind" usually aren't all they are cracked up to be. Not that his character was racist, it's more complicated than that, but of course he is not colour blind, because, as the film shows, it is impossible to be so.
There is the path of no-resistance, the letting shit slide solution. Such as the Latino character and Terrence Howard. We all see how that plays out. The only reason the Latino guy's daughter doesn't get capped is so the Persian dude can have closure on his story. But still...the film shows how difficult that road can be, and how it also really doesn't solve anything.
I think by having all the characters have good/bad sides, by presenting this problem it also suggests a solution. Often our solution to racism is to take up the Ludacris stance (althought perhaps not so cartoonishly), the "Angry" whatever whatever. For me, it's the Angry Asian Man, wherein I complain about asian representation in movies, i bemoan all my asian girl friends dating white guys, I get mad when white people call me oriental etc.
This makes me feel all righteous and no doubt we all feel the same way when we tirade on whitey or the system.
But, as the film shows none of us clean. And if we're big enough people to admit the film is right about that...then it wipes the slate clean for us.
OK...where to go now?
I hate to get all Dalai Lama-ish but the only solution now is compassion. Not to downgrade or dismiss our complaints and political stances, because those are all still valid...but eventually we have to rise above drawing lines between us. We have to live compassionately. I don't mean compassion as some cheesy We Are The World type bullshit. This isn't the same as being "colour blind". Compassion is to see race and to recognize race and racism and *still* love these people. To be compassionate to others by recognizing our own faults.
I think we can all agree...the one cat who came closest to "having it right" was the Latino guy. He resisted all attempts to become jaded or angry.
The compassion I'm talking about is not about rolling over. It's not about holding things in. It's about fighting, fighting every day, but fighting compassionately.
I dunno about yall, but this movie really got to me, and I think it will change a lot about me regarding issues of racism, and how I deal with it, and in turn, how I deal with myself.
Ok, now I sound like I am on some bullshit, so I will stop.
I love you all."
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Anways, that's my word. I hope everyone goes to watch this movie and talk about it. More important than the movie itself is the discussion. Even if you don't agree with the film, you will have plenty to say about it. Or at least I hope.
As always,
peace.